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    • Adult Education
      • Adult Education in India: National and International Perspectives
      • Communication technologies
      • Community Organization & Development in the context of Literacy
      • Mass Media and Development Communication
      • P-03. Curriculum and Material Development
      • P-04. Program Planning and Implimentation
    • P4 - Allied Therapies
      • Ayurveda Fundamentals
    • Sanskrit (Acharya in Vyakrana)
      • P-03. वैयाकरणभूषणसारः (धात्वर्थ-लकारार्थ-सुबर्थ-नामार्थ-समासशक्तिप्रकरणानि) (Vaiyakaranabhusanasar)
      • परमलघुमञ्जूषा ( Paramalaghumanjusha)
      • परिभाषेन्दुशेखरः ( 1 तः 49 परिभाषाः) (Paribhashendushekhar 1 to 49)
      • परिभाषेन्दुशेखरः (असिद्‌धपरिभाषातः आ उपपदविभक्तेः) (Paribhashendushekhar Asiddhamparibhashat)
      • प्रौढमनोरमा (शब्दरत्नसहिता, सन्धिपञ्चकम्) (Praudhamanorama Shabd Sarita)
      • महाभाष्यम् (1,2,3 आह्निकानि) (Mahabhaṣyam 1 2 3)
    • Performing Arts(Dance/Drama/Theatre)
      • Allaripu, Pushpanjali, Jatiswaram
      • Dance design – Nritta of Bharatanatyam-I (choreography and composition)
      • Dance design – Nritta of Bharatanatyam-II (choreography and composition)
      • Dance in India today, dance-dramas, creativity within the classical forms, Indian classical dance in diaspora (USA, UK, Europe, Australia, etc.)
      • Dance, poets and poetry, religious philosophy and Indian classical dance
      • Dances and dance dramas of South East Asia mask dances of South East Asia /Asia-Pacific countries research methodologies for performing arts (dance) dance therapy
    • View all
  • Courses
    Adult Education
    • Adult Education in India: National and International Perspectives
    • Communication technologies
    • Community Organization & Development in the context of Literacy
    • Mass Media and Development Communication
    • P-03. Curriculum and Material Development
    • P-04. Program Planning and Implimentation
    P4 - Allied Therapies
    • Ayurveda Fundamentals
    Sanskrit (Acharya in Vyakrana)
    • P-03. वैयाकरणभूषणसारः (धात्वर्थ-लकारार्थ-सुबर्थ-नामार्थ-समासशक्तिप्रकरणानि) (Vaiyakaranabhusanasar)
    • परमलघुमञ्जूषा ( Paramalaghumanjusha)
    • परिभाषेन्दुशेखरः ( 1 तः 49 परिभाषाः) (Paribhashendushekhar 1 to 49)
    • परिभाषेन्दुशेखरः (असिद्‌धपरिभाषातः आ उपपदविभक्तेः) (Paribhashendushekhar Asiddhamparibhashat)
    • प्रौढमनोरमा (शब्दरत्नसहिता, सन्धिपञ्चकम्) (Praudhamanorama Shabd Sarita)
    • महाभाष्यम् (1,2,3 आह्निकानि) (Mahabhaṣyam 1 2 3)
    Performing Arts(Dance/Drama/Theatre)
    • Allaripu, Pushpanjali, Jatiswaram
    • Dance design – Nritta of Bharatanatyam-I (choreography and composition)
    • Dance design – Nritta of Bharatanatyam-II (choreography and composition)
    • Dance in India today, dance-dramas, creativity within the classical forms, Indian classical dance in diaspora (USA, UK, Europe, Australia, etc.)
    • Dance, poets and poetry, religious philosophy and Indian classical dance
    • Dances and dance dramas of South East Asia mask dances of South East Asia /Asia-Pacific countries research methodologies for performing arts (dance) dance therapy
    1. Courses
    2. Department of Sanskrit Language & Literature
    3. Sanskrit (M.A)

    Sanskrit (M.A)

    Sanskrit Poetics
    Svapnavasavadattam (For B.C.A., B.B.A.)
    Grammar and linguistics
    History of Vedic literature
    Indian philosophy : an Introduction
    Jyotisha
    Kavya
    Language, culture and history
    Nyaya-Vaisheshika-Mimamsa : epistemology and metaphysics
    Origin and development of vastu shastra
    Philosophy
    Poetics ; aesthetics
    Science and philosophy of modern sanskrit grammar
    Vedic language and literature
    Vedic texts and grammar
    Vyakarana
    रस-ध्वनि-सिद्धान्तः (Theories of rasadhvani)
    साहित्यशास्त्रं सौन्दर्यशास्त्रं च (Poetics and aesthetics)
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